(Image credit: Future) Pricing for Adobe Premiere Elements If you feel you need to tweak the results you can do so within the ‘Applied Effects’ section. What this AI does is analyse the clip, determine which section is of most interest, framing it accordingly.įor the most part it works great, and this is very evident when an object is moving within the clip, as the framing dynamically moves to keep that object in shot throughout. Instead this tool is powered by Adobe’s ‘Sensei AI’. If this was just an option to zoom into the centre of your video, it wouldn’t be worth much. Knowing it’ll be used often, you’ll find it easily accessible in the top left of the timeline section. Thankfully, the developers have thought of that and came up with a cool new Auto Framing option. Having to manually fix this could be a pain, especially if you’re using a lot of media. This is at best a distraction, and at worst can lead to a tiny thumbnail-like media in a sea of black. This is not often convenient anymore, so to make sure your project retains the dimension you manually set, make sure the ‘Force selected project preset to this project’ box is ticked.Īs you add clips of different formats, you’ll see that Elements will shrink them so you can see all of them within the specific frame, which will inevitably lead to black bars top and bottom, or left and right. In the past, your timeline would take on the dimensions of the first clip you drag onto it. Setting up the right dimensions for your project is one thing, but all our media doesn’t usually match it since it often comes from multiple sources. Each has a drop down menu for you to select the exact aspect ratio and frame rate you’re after. And Premiere Elements have got you covered: start a new project and you’re graced with a list of options, such as Landscape, Portrait, Square and Social. These days, we interact with a multi-format world.
Adobe Premiere Elements 2020 at Adobe for $99.99 (opens in new tab)Īs we all know, the days of solely working in 16:9 (and, previous to that, 4:3) are long gone, thanks - rightly or wrongly - to the inexorable rise of social media.
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